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    Available in PDF - DJVU Format | Icon.pdf | Language: ENGLISH
    Cathy Fenner(Editor) Arnie Fenner(Editor) Frank Frazetta(Illustrator)

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The incredible paintings of Frank Frazetta have brought him worldwide fame, legions of loyal fans, and scores of imitators. His darkly dramatic Conan the Barbarian oils and the equally powerful and erotic compositions for the works of Edgar Rice Burroughs have become the ultimate standards of excellence in the fantasy and adventure field. Icon was Franzetta’s first major retrospective in his 55-year career. Lavish full-color reproduction on deluxe art paper showcases over 65 major finished oil paintings, 25 drawings, and other pieces. This new softcover edition contains 32 new pages of additional, never-before-published art and photos. New material includes paintings of Woody Allen and Peter Sellers; concepts of Clint Eastwood for the movie poster to The Gauntlet; original concepts for the Conan book cover paintings; and character drawings for the Broadway production of Li'l Abner.

This book is going to make Frank Frazetta fans very, veryhappy. Icon: A Retrospective by the Grand Master of FantasticArt Frank Frazetta is a comprehensive look at the work of oneof the world's most influential fantasy artists. Frazetta's entirecareer is covered, from his earliest work on L'il Abner tohis unused poster art for Quentin Tarantino's From Dusk TillDawn; from his powerful interpretations of Robert E. Howard'sConan character to his whimsical Hollywood parodies. More than ahundred full color prints of Frazetta's most representative workare collected here in a single handsome edition, along withphotographs of the artist and his studio, quotes, and testimonialbiography.

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Review Text

  • By GCC on 5 April 2017

    The best of frazetta

  • By valentino-zadar@usa.net on 2 March 2001

    Frank Frazetta is a genius who set the standard for modern fantasy illustration. When I say "modern" I mean for the last few decades. (Of course, there were more than a few great american illustrators in the first half of the 20th century, the most prominent of them the legendary James Allen St. John, who actually devised the look of heroic fantasy as we know it today.) Anyways, Frazetta was and still is the most influental artist in the field, one whose unique style was imitated by generations of artists throughout the world."Icon", the largest collection of his art ever assembled in a single volume brings not only his classic images of jungle princesses, luscious femme fatales, mighty warriors, brutal barbarians and strange beasts (often alongside their revised versions, more or less different than those originally published), this beautifully edited monograph as well evokes the spirit of an era in which those artworks were created. Every painting has its story, and by reading notes about them we learn a thing or three about other protagonists of the golden age of american pulp culture. Indeed, there were titans in those days, artists who "touched people's lives with a stroke of their pen, or flourish of their brush" - as quoted in Frazetta's biography. Taking a look at all these masterpieces, one alongside another, all compiled in one book, one fully realizes the magnitude of Frazetta's impact on contemporary fantasy illustration.His depth of imagination and superb art technique remains unsurpassed all these years.

  • By John Davis on 29 August 2009

    I used to own Fantastic art of Frank Frazetta volumes 1-4 and regretted selling these on eBay when cash was tight. I bought this thinking it would be OK and along similar lines. Firstly this is a hardback which, for the money, I wasn't expecting.I also remember that the original volumes tended to only have printing on one side of the page with the blank page being, what I called, artistic waste of space. This new version has printing on both sides so you get a lot of illustrations for your money.As for the illustrations themself? I consider myself a decent enough artist but I'm in awe of superb images created by Mr Frazetta. The book is absolutely superb, terrific value for money and a fitting tribute to the output and diversity of this outstanding illustrator.The front cover is actually one of the weaker works and whoever let the out of focus thumbnail of the front cover be used by Amazon needs their knuckles rapped.


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